Alright… where to begin. The longer I don’t write the longer it takes me when I finally do. So I’m sitting here listening to Radiohead’s ‘Kid A’ again and sipping a beer.
The days’ve been flying by lately while I was busy tying up loose ends in my songs and preparing for the gig. Last time I’d caught you up on things I’d been working on ‘The Tide’. Apart from some small tweakings it’s done. I managed to write the remaining lyrics and came up with a nice melody. I also recorded some real spanish-sounding handclaps and finished the arrangement. The song’s very dramatic and cinematic, I love it. Here’s a tasty bit of it without vocals:
After that I moved on to ‘Euphoria’, a song that I’ve been working on on and off. Maybe that’s why it’s been causing me a bit of trouble. It never seemed euphoric enough for my liking. And when it already promises that in the title you have to deliver, don’t you? I’m still not completely satisfied with the beats, but something’s giving Ableton Live the hiccups in this song, especially the beats have dropouts. I’ll have to figure that out tomorrow. Other than that I’ve finally solved the puzzle last night. I tried to play the song faster and with 8 BPM more everything just fell into place. It’s funny sometimes. Of course, I had to redo certain parts, but then I got into a working frenzy and added some lovely piano part in the chorus that sounds like sunshiny rain – if you know what I mean, kind of like the equivalent to the sun coming out after a downpour – and some very expressive strings. The last part of the song had been only a rough idea until I’d started rehearsing the song. All of a sudden I had some backing vocals and the melody when I tried out stuff with my looper. Sometimes you just have to give a song some time to work itself out. I guess the rest will be a piece of cake now. I might have to find a new vocal melody for the refrain, but it’ll come. Another morsel (the refrain):
One week before my gig at Mastul I started rehearsing. I’d been asking around for a cellist and even found two. One ended up not having time on that day, but we’re definitely going to try to work together. I think he might be the better fit of the two, because when he plays on his own he uses a looper and a Macbook. So he knows where I’m at with my live setup. The other one that accompanied me for the gig turned out to be a bit of a rocker. What are the odds? I had to thwart him somewhat and our only rehearsal was mainly to talk things over. Even though he’d mostly improvised to my songs it went down well with the audience.
Since the gig was my first feature-length one I had a lot of things to prepare. On the previous Sunday I downloaded some free MIDI translator programmes so I could build macros to both trigger sounds and operate everything in Ableton Live with my MIDI keyboard. After trying out a couple I settled for midiStroke that converts MIDI messages into keystrokes. To termine note and channel numbers from my keyboard I also installed IttyBittyMIDI, a dashboard widget for Mac OS X that monitors MIDI signals on the computer and is programmed by the same guy. After I got that working smoothly I moved on to hooking up my looper to receive MIDIclock from my Mac and that way play in sync. I must say I was surprised how swiftly I got everything to work, because I’d been dreading the usual technical problems.
The rest of the week leading up to the gig I spent relearning my new songs, figuring out how to best play them live. I only have one MIDI keyboard so far that I use for playing stuff live, looping things within Live, triggering sounds and navigating through Live so I don’t have to touch the computer within a song. This has proven pretty tricky, because quite often I need most of the keys already just to play and I have to assign different keys for all kinds of actions in each song. A lot of stuff to remember, requires much thinking ahead while I’m playing and singing and so on. Lately each time I had to rehearse for a gig the weather was freaking hot which doesn’t help concentrating (I kept thinking I want to go swimming). I felt like my head was fuming and my brain melting. Or was it the other way around? Now there’s more equipment on my list to buy: a foot pedal to control my looper and a MIDI controller of some sort.
Anyway, the gig went well. Not that many people there, because it was almost the last hot day and people in Berlin tend to sit outside cafés and enjoy a nice drink instead of being inside. The ones that came loved it though with calls for encores and everything. I even sold some CDs. This time I wasn’t that nervous either. The atmosphere was very homely and cosy, a bit like a living room concert. I played all of my new songs apart from ‘Euphoria’, ‘Unspoken’ and ‘Chaos & Order’, a couple of old ones and a cover version of Brain Eno‘s ‘By This River’ with my looper. As the last song I played ‘Scaredy Cat’s Lullaby’ to which the cellist played exactly what I had composed for the song and after a while when I was singing on top of some looped vocals the sound engineer joined in doing some percussion and another guy started making up another vocal melody. Magic! Each time I do a gig I learn some more. The audience as the indicator of what works well and what needs adjusting. This time I felt like I’d achieved a new landmark in my performance. Sure, there are still some kinks to be worked out, but boy oh boy it’s really going somewhere now. I’m aching for more, totally hooked!
The next day, a Sunday, I spent blissfully hanging out doing absolutely nothing. I reckon I’d earned that and I was exhausted, too. Naturally, the way it always seems to be, there was a lot of cleaning to be done in my flat. I did most of that on Monday and decided to assiduously ignore certain bits for now. So my flat’s clean, but slightly messy. That’s the way it goes when you’re busy and I sure am. It’s going to be a tight schedule till the end of July. Still, I’m loving every single minute of it!